Christopher Nolan brilliantly transcends the superhero genre to bring us an operatic, crackling crime drama with larger-than-life characters and harrowing insight into the depths of the human soul.
The lead performances are solid all the way through; even though Bale's Batman/Bruce Wayne takes something of a back seat to Ledger's Joker and Eckhardt's Harvey Dent, the movie never puts Batman in the colorless traffic-cop role that he was relegated to in movies like Batman Returns and Batman Forever, instead making the character a dramatic catalyst.
The entire film has an epic feel, with a brilliantly-realized Gotham City (actually Chicago) that doesn't exist on a soundstage and a screenplay that is absolutely crammed with incident and plot. Like a great roller coaster, there's actually times when a viewer might guess that the film is nearing its end, and suddenly another plot point surfaces that takes us on another twenty-minute spin. The other superhero films released this year were just appetizers; this is the main course.