Midnight in Paris is beautiful, clever and at times delightful, but hopelessly self-indulgent. The director could have done a lot more with the 1920s characters, and he could have elaborated the conceit itself (mysterious time travel into the "good old days") so that the viewer had to do a little work to unravel the "meaning," but instead he chose to overtell the teaching points, oversell the dreamy Parisian facades, and settle for silliness where a much subtler humor was possible. I had the sense of having traveled back in time, to early Woody Allen films, into which he had injected Owen Wilson as his surrogate, since at his age he can no longer pull off the befuddled romantic lead. In short, I think I've seen this same Woody Allen movie, years ago. But younger Woody did it better.
And I mean that in the best possible way. It's nuanced and free of Burton "shtick." While you know he's at the helm, he doesn't beat you to death with it. Great performances, delightful humor; even a feminist twist.
This movie had everything--believable, well-rounded late-teen characters (the parents were pretty cartoonish), great acting, lots of humor, and a happy ending despite a dark-ish world view. We found it delightful.
Great story, well written, fabulous acting, smart and funny. Also true to human psychology. Despite a certain plot predictability at times, a satisfying experience.
Very funny and well performed. Outrageous and sometimes offensive humor. Trenchant critique of the entertainment industry. I laughed and laughed. Not for proper people with weak stomachs.