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    June 6, 2011
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    June 6, 2011
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5 / 5
5 / 5
Best X-Men, Best Superhero
PostedJune 6, 2011
Customer avatar
from Philadelphia, PA
The entire effort, in both creation and marketing, has been to portray this as a “smart” superhero film; from the intellectual (even awarded) cast, to the almost indie director Matthew Vaughan, to the New York instead of LA premier. I found the commitment and dedication to the fantasy very gratifying. There were no slips in logic, no tongue-in-cheek comedy, no Stan Lee cameo. Even the references to the wider X-Men universe were limited and, with a very necessary and obligatory exception, consisted exclusively of allusions. In spite of this, it still explains everything that was alluded to but never quite covered in the earlier movies.
Since the film is set in the 1960s, it is set in a time when the human populace was not aware of the existence of mutants, while at the same time being under the threat of atomic war. The film plays out closer to Munich (2005) than any other superhero film, even though it bears all the hallmarks of having an ensemble cast, namely recruitment, discovery, betrayal, inspiration, and final sprint.
The acting is superb. The main characters are extremely convincing, and extremely detailed. So much so, that it makes the lack of detail in supporting characters (Angel, Riptide) stand out starkly at times, which is the only fault I could find. Michael Fassbender ultimately steals the show: he is charming and troubled, intelligent and doubtful, powerful and weak at the same time. The relationship between Charles and Erik, which is undoubtedly the center of the whole movie, is preserved and portrayed with unflinching precision and sensitivity, and holds the viewer with the warmth of their hearts, not just the speed with which it beats.
Yes, I recommend this movie.
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