Probably the tenth Met movie I've seen--always wonderful, especially behind-the-curtain stuff and interviews, but I'd rather see the performance more as the audience at the Met sees it. I don't like close-ups of the dancers if you can't see their feet; the magesty of the sets is lost in constricted views of one or two principals; and the overhead shots straight down onto the stage are ridiculous. It's as if the directors are trying to create a new genre, when all I want is a relatively faithful version of the production as performed at the Met.